An icon commissioned: We have color!
This is the second set of pictures in the commissioned icon series. There are quite a number of icon-related website out there, but few cover the creation process - below comments are from the iconographer. Rather excited to see the color go on. Once the panel has received a final sanding it is buffed with a soft dry rag to remove excess chalk dust. The basic shapes of the pattern are drawn on the board, and the borders are outlined. I like to use painter's tape to delineate the borders and keep them clean. The background color is painted and the halo (or nimbus) is sized and gilded with 23-kt. gold leaf. In his essay on iconology, Fr. Pavel Florensky emphasizes that gold, being a metal element with a luster of its own (as opposed to a pigment), is the best way to represent the divine light . The pigments for establishing the main color swaths. Certain mineral pigments require a good bit of grinding with stone or glass pestle before they can be used for making paint. The initial...